<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="Research Article" dtd-version="1.0"><front><journal-meta><journal-id journal-id-type="pmc">iarjel</journal-id><journal-id journal-id-type="pubmed">IARJEL</journal-id><journal-id journal-id-type="publisher">IARJEL</journal-id><issn>2708-5120</issn></journal-meta><article-meta><article-id pub-id-type="doi">https://doi.org/10.47310/iarjel.2025.v06i01.002</article-id><title-group><article-title>The Fantastic Character in Najeeb Mahfoodh Novel "Alf Layla and Layla"
الشخصية العجائبية في رواية الف ليلة وليلة لنجيب محفوظ</article-title></title-group><contrib-group><contrib contrib-type="author"><name><given-names>Marwa</given-names><surname>Mohamad Najeeb</surname></name></contrib><xref ref-type="aff" rid="aff-a" /></contrib-group><aff-id id="aff-a">Education College for Girls, Department of Arabic Language, University of Mosul, Iraq</aff-id><abstract>The&amp;nbsp;fantastic trend has a prominent place and a present phenomenon in the novel as&amp;nbsp;a literary genre and an important field that reflects its aesthetic and&amp;nbsp;expressive value within the elements of narrative construction. The narrative&amp;nbsp;of wonder is one of the most prominent new artistic forms of expression through&amp;nbsp;which the creator exceeds the limits of the traditional framework of the plot,&amp;nbsp;creating through the fantastic an aspect of change within the structure of the&amp;nbsp;text in order to escape from a political or social reality and a desire to move&amp;nbsp;away from direct statement, and to pass some social and political prohibitions&amp;nbsp;and criticisms under the cover of the fantastic as a way of expressing&amp;nbsp;criticism of reality after it has reached the highest degrees of unfamiliarity.&amp;nbsp;The fantastic appears in the novel (The Thousand and One Nights) and has a&amp;nbsp;strong presence in the general components of the novel structure, a desire to&amp;nbsp;penetrate the form of the fantastic, deconstruct some of its symbols, reveal&amp;nbsp;its artistic connotations and penetrate within it, by pointing to the&amp;nbsp;appearance of the fantastic character within the structure of the fantastic&amp;nbsp;text and its characteristics, in addition to the artistic value of the&amp;nbsp;fantastic space and the expressive energy that is capable of attracting the&amp;nbsp;psychological dimensions of the character and the events reflected on it.</abstract></article-meta></front><body /><back /></article>