srjmdSRJMDSRJMD2788-9467https://doi.org/10.47310/srjmd.2023.v03i01.023Using dramatic forms and their aesthetic in the art of Ottoman CalligraphyEsamNadhumSalihSince ancient times, humans have sought to document their experiences, beliefs, and achievements through visual expression. From cave drawings to monumental inscriptions, art has served as a medium for recording reality, spiritual rituals, and historical events. With the development of civilizations, art evolved into more refined forms such as painting, sculpture, and calligraphy, becoming a means to preserve cultural identity and collective memory. Among the various artistic expressions, Islamic art-particularly Ottoman calligraphy and miniature painting-played a significant role in narrating religious stories, historical events, Islamic conquests, and the social life of Ottoman society. These artworks are characterized by rich symbolism, layered compositions, aesthetic harmony, and narrative coherence, which reflect both spiritual depth and dramatic structure. Ottoman calligraphic scenes often combine text and image in a way that enhances visual storytelling and emotional engagement. This study aims to analyze Ottoman calligraphic art from a dramatic and structural perspective, focusing on its narrative composition, visual symbolism, and expressive elements. By examining selected examples of Ottoman calligraphy and miniatures, the research highlights how dramatic principles such as movement, rhythm, space, and sequential narration are embedded within these artworks. The study adopts a descriptive and analytical approach to explore the relationship between form and content in Ottoman calligraphic scenes.