<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="Research Article" dtd-version="1.0"><front><journal-meta><journal-id journal-id-type="pmc">srjmd</journal-id><journal-id journal-id-type="pubmed">SRJMD</journal-id><journal-id journal-id-type="publisher">SRJMD</journal-id><issn>2788-9467</issn></journal-meta><article-meta><article-id pub-id-type="doi">https://doi.org/10.47310/srjmd.2022.v02i02.008</article-id><title-group><article-title>The Concept of Rebellion in the Scene of Anger and Protest Harold Pinter – Model</article-title></title-group><contrib-group><contrib contrib-type="author"><name><given-names>Prof.Dr. Ahmed Nasser</given-names><surname>Al-Shandal</surname></name></contrib></contrib-group><aff-id id="aff-a" /><abstract>The theatrical text usually stems from concepts that distinguish it from other theatrical texts, and these features that show the nature of the text and its financial and intellectual activities are what give the limits of manifestation a positive state in reading the text by the readers, so one of the important concepts associated with a specific time period is It was not filled with an important concept of modern concepts, which is the concept of rebellion, although this concept was presented in the past in classical plays and others, but what was filled with the texts of Harold Pinter was more effective in using this term, so the researcher decided to study this concept through the tagged title (The concept of rebellion in the theater of anger and protest, Harold Pinter - a model(</abstract></article-meta></front><body /><back /></article>